![]() ![]() "Nobody But You" "Ain't It a Sin" "Changes" All songs from Charles Bradley's 2016 album, Changes, available on Daptone Records. The Extraordinaires are: Billy Aukstik, trumpet Fred DeBoe, sax Mike Deller, organ Alex Chakour, guitar Vince Chiarito, bass Caito Sanchez, drums. "We've got to make it right all over the land." "All I'm saying is 'Don't do me wrong, and I won't do you wrong'," he says. And when I see a person that is doing good and doing a greatness, I look at them and try to learn from them."Īnd although his song "Ain't It a Sin" may sound like a lament or a judgment, Bradley explains it's really a sort of variation on what some call the Golden Rule. "That's what I do," Bradley continues, "because I don't judge anybody on what they do, but I can look on the world and see what I see … the only thing I can change is try to show the world I'm changing me to be a better person, so maybe you can look at me and learn something from me. "And it is so strong, because when you're down and out, sometimes you just listen to music and say, 'Whoa …' That's why I always say to anybody out there, if you're an artist and you want to show the world your love, show good lyrics. View credits, reviews, tracks and shop for the 2022 Vinyl release of 'Changes' on Discogs. Charles Bradley - Ain't It A Sin Instore at Rough Trade East, London. Charles Bradley - Lovin' You, Baby Instore at Rough Trade East, London. "That's what's keeping the world together today I think music is the root of life," Bradley says. Charles Bradley - Changes Instore at Rough Trade East, London. Much as the words to "Changes" spoke to Bradley during his bereavement, he strongly believes music can bring joy in times of sorrow or chaos. "The last verse just stuck to me I didn't have to learn it." "When I was going through my depression after losing my mom, I was learning this song at the same time," he recalls. Being a firmly established R&B artist, Bradley says he wasn't familiar with the Sabbath tune at first, but as he learned the song, its emotional third verse resonated deeply. In town for a show at First Avenue in Minneapolis, Bradley and his band visited The Current studio for a session hosted by The Current's Mac Wilson.īradley's latest full-length release, Changes, takes its title from a Black Sabbath cover Bradley recorded for the album. The sincerity behind Bradley's music comes through at full volume when he and his band, the Extraordinaires, perform. Anyone who ever loved the Southern soul chops of James Carr and OV Wright, or the great Stax/Atlantic singers such as Otis Redding, will surely acknowledge its place in the pantheon. "I sing the way I feel and the things that I've seen in life and the things I'm going through," he says. Charles Bradley has made Changes his own and, in doing so, single-handedly rehabilitated the concept of the cover version.
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